Sunday, September 30, 2012

The Tragedy of the Phantom


 Sometimes I get a bit concerned that our culture-- especially us ladies-- like our happy endings a little too much. When we get invested in characters, it's hard to see them die or watch horrible thing after horrible thing happen to them, even though we all know death can happen to anyone at any time and bad things happen to good people as well as to the baddies. But that doesn't stop people from reviewing against things because of depressing endings or the death of a beloved character. In the final Twilight installment (not a big fan for the record, my English major side can't forgive her wackadoodle use of the language), author Stephanie Meyer seemed to go out of her way to make sure everyone important lived and that what could have been a gore-ridden battle was cleaned up without any real fighting having occurred. A lot of people were angry over this, but just as many people were thrilled that everything went swimmingly for Mr. and Mrs. Perfect and their freakishly named daughter.

Anime series Phantom ~Requiem for the Phantom~ is for people who don't mind going in the opposite direction and being overwhelmed by all the dark and less peachy corners of life. Inspired by the video game Phantom of Inferno (which is now on my to-play list), Phantom is an action-adventure, psychological drama that is steeped in tragedy from episode one straight to the finale. Which is only natural, given the subject matter of young adults being raised as emotionless assassins at the beck and call of a corrupt organization filled with ambitious double-crossers after their own agendas. Games like Assassin's Creed and heroes like Jason Bourne make killing for hire seem intriguing, but there's nothing glamorous about creating trained killers from the ashes of destroyed lives seeking desperately for a sense of humanity.


The series follows central protagonists Reiji (known as “Zwei,” the German word for two, as an assassin) and Elen (known as “Ein,” the German word for one) as they navigate the tricky waters of the L.A. criminal underworld as 'Phantom' assassins trained to kill without question at the behest of their employer, Inferno. Ein has been Inferno's top killer from an early age, and was brought into the organization by the ever creepy 'Scythe Master,' a man who brainwashed her and molded her into a docile, unquestioning subordinate unable to even consider betraying or running away from him. Reiji, on the other hand, is initially a Japanese tourist in the wrong place at the wrong time, whose big mistake was witnessing one of Ein's assassinations-- a crime punishable by death. But when Ein attempts to kill him, Reiji fights for his life so spectacularly that even the expert assassin herself is hard pressed to subdue him. Impressed by his fighting instinct and will to live, Inferno kidnaps him, brainwashes him, and sets him up to follow in Ein's footsteps to become a Phantom assassin.

Ein, Zwei, and the mask they hide behind as Phantoms... in more ways than one!

While his past and memories of his time in Japan are forgotten, there is no way for Inferno to get rid of Reiji's sense of human decency. He is appalled by the idea of having to kill, and only agrees to the training when he is told he will be killed if he doesn't. Reiji is very much defined by his desire to live, making him a foil to the more commonly seen death seekers in anime and manga series. Even if his humanity is taken from him, he sees the value of being alive and having the potential of getting it back again and finding something worthwhile to live for. When he makes his first kill and starts down the slippery slope of amorality as Zwei (which Ein, for the most part, has already succumbed to), he at least retains a connection to his original self and realizes that the mindless killer he is becoming is not who he wants to be. This is not to say, however, that he manages to be a 'good' assassin; among his kills are a innocent young woman and her elementary aged son, both civilians who were killed to punish a mob boss.
Making things all the more fun for him is Claudia McCunnen, one of his bosses at Inferno. 

The infuriating and sexy Claudia.

Claudia is fairly low on the rungs of power, and wants to step up in authority with the help of Zwei. But unlike Ein's Scythe Master, Claudia doesn't want Zwei to be docile and unthinking. She wants him to make the conscious decision to be her pawn, and to achieve this she informs him of his identity as Reiji and manipulates him sexually in attempt to have sole possession over who he is. Of course, learning his identity gives Zwei all the more reason to try to get out of the assassin lifestyle, but Claudia's web is not so easy to escape, as he will later learn.

All this time, Zwei is struggling with his complicated feelings for Ein, who he sees as the kind of person he is capable of becoming if he abandons his sense of identity. As he begins to learn more about who he is, he fights for Ein's liberation as well as his own, trying to get her to look beyond her duties to Scythe Master and find out who she really is. Even though Ein is in many ways emotionally devoid at this time, she also feels a deep connection to Zwei, seeing him as the representation of all the feelings she has lost in having her history and identity erased.

When Scythe Master seemingly betrays Inferno, Reiji rescues a wounded Ein and trys to take her away to a place where they can be free and safe. During this time, he gives her the name Elen and begins to see the first signs of her actually displaying some sort of genuine emotion when she reacts with a degree of surprise whenever he calls her by her new name. Unfortunately, Scythe Master finds Ein and recruits her again, and Reiji turns to Claudia who encourages him to give in to the cold blooded killer inside of him and slaughter Scythe for destroying the progress he was making with Ein. So he does. With naturally tragic results, of course.

Just the idea of a girl this young being a killer is tragic enough

(This is slightly spoiler-y, but this is not what I would consider the main, climactic arc, so you'll have to make a judgment call if you want to read the following paragraphs) When blood-crazy Zwei tries to shoot Scythe, Ein steps in to take the bullet for him, then falls into the nearby stream, presumably dead. Snapping out of his dark persona, Zwei realizes what he's done and begins crying out in agony. Scythe has no sympathy and for once Zwei doesn't feel the need to fight for his life, and he ends up shot three times in the chest, falling into the stream after Ein. See what I mean about unhappy endings? If Stephanie Meyer were in charge, Ein and Zwei would have realized their humanity and said things like “you are my life now” while making out and having blandly romantic conversations.

A time skip reveals that Reiji has survived and reverted in to full on Zwei-mode, which involves screwing Claudia, killing without his former doubt, and getting an even cooler assassin soundtrack. Wonderful. Luckily, he gets a strong dose of morality when he meets Cal, a young girl who is the sole witness to a mob killing where her guardian was caught in the cross fire. When Zwei defends Cal from Inferno, he is forced to lie and say that he is training her as an assassin so she will not be killed for knowing that he is the Phantom, painfully reminding him of the slippery slope he was sent down after witnessing one of Ein's assassinations. The more he grows to care for Cal, the more he doesn't want to see her become the kind of person Inferno has made him to be. He teaches her how to use a gun, but for the most part treats her preciously, letting her live with him, buying her clothes and gifts, and letting her see his more human side so Zwei begins to fade away and Reiji emerges again.

Cal and Reiji try to avoid the dangerous cycle of Zwei and Ein

And now the major SPOILERS start. Claudia is currently knee deep in corruption as she tries to fight her way to the top, and from the shadows there are several people trying to take her down. Reiji catches sight of one of the assassins from the other side, one who looks an awful lot like his former partner Ein, who he still believes is dead. As his life once again begins to spiral outside of his control, he fights to protect Cal from the aftermath, doing everything he can to keep her from the assassin world and promising he will stay by her side to protect her no matter what happens. But his assignments involving Claudia's self-serving schemes pulls him away from the apartment he shares with Cal, and when he returns, he watches in horror as the room is destroyed in an explosion set by his enemies. Believing Cal to be dead, he begins to sink back into despair, under the impression he has lost everything important to him yet again.

As he fights for his life when the net closes around Claudia, Reiji is brought into a struggle to the death with Ein (who clearly didn't die, but was rescued by Scythe Master), who he still retains protective feelings for. In the middle of their fight, Ein breaks down and admits that she doesn't want to continue on with her current life and begs him to kill her so she won't have to endure her painful cycle of unthinking subservience to Scythe Master anymore. When she says the line “If this world wasn't a complete hell for me, it was because you were alive” it absolutely kills me, and Reiji as well. He reminds her that he swore to take care over and make her smile, so the two plot an escape, this time successfully... at least for a time.

In the final arc, the two are living normal lives in Japan as high school students after a two year time skip. For Elen, the happiness she shows is for the most part an act as she inwardly suffers and tries to find a way atone for her sins, but Reiji has found some measure of peace at being able to have a normal life, complete with having a cute girl crushing on him and being the source of romantic gossip around school. Both know that the past will catch up to them, but until it does, they are determined to try and live out quiet lives in Reiji's home country.

The past comes back in the form of a busty, grown up Cal. As we learn, she was outside of the apartment during the explosion, and remained behind in the wreckage so Reiji would know she was still alive when he returned to find the apartment destroyed. But from his vantage of the explosion, Reiji could not hear her calling out to him, so he had no reason to believe she survived when he left for Japan with Elen. Cal is too young and vulnerable to fully understand this, and Scythe seeks her out and takes advantage of her depression, making her believe that Reiji willfully abandoned her for Ein.

Puberty is kind to some of us... too kind
When she reappears in Japan, she not only has grown up an unreasonable amount considering only two years have passed, but she is also filled with a crazy amount of anger towards Reiji due to his perceived abandonment. To spite him, she has become the third Phantom, Drei-- though she hasn't mastered the emotionally-devoid part yet--and has made it her life mission to kill Reiji and everyone who stands in her way. Yikes!

One convoluted scheme involving the high school girl in love with Reiji later, Cal finally confronts Elen and Reiji with the intention of killing both. Elen doesn't want Reiji to be put in a position where he'll have to kill Cal, but Reiji realizes that Cal will never be appeased unless the issue is sorted out between the two of them. And by sorted out, I don't mean a heart-to-heart chat. Cal is so far gone at this point that she doesn't want to have things go back the way they were. She just wants closure on her feelings of hurt and betrayal in one form or another, and Reiji, still operating on the fact that he doesn't want to die just yet, gives it to her with a bullet and looks on as she at last finds peace when she dies in his arms, regretting that she was not strong enough to seek him out and have faith in him when they were separated.

Alas, Scythe Master is still hanging around even after his final human subordinate has died, and similar to Reiji's defeat of Cal, Elen at last finds the strength and courage to put their twisted connection to rest and finally kill him. Knowing that they can't exactly stick around and put their classmates in further danger, the two assassins flee Japan together with the hopes of finding Elen's hometown and giving her some final sense of identity before the inevitable happens. The inevitable being that one member of Inferno is still alive, and he's not going to rest until Reiji is dead. (But he doesn't seem to care that Ein is still alive. If anyone knows why that is, please let me know!)

Reiji and Elen finally end up in Mongolia, which has been foreshadowed as Elen's birthplace by the brochure she carried around with her in the first arc. She recognizes the particular sight of the sky (which is apparently extraordinarily lovely in Mongolia), and tells Reiji he doesn't need to do anything more for her than he has already done in bringing her here. Reiji looks at her and thinks to himself that he still has to fulfill his promise of having her smile truly before he is killed by Inferno, though he knows at this point that they have been followed by Inferno's assassin, and has to content himself that Elen finally has memories of her homeland as well as happy memories of the two of them together. The assassin passes by and shoots him, which Reiji quietly allows to happen, and Elen grants him the parting gift of her true smile before killing herself by consuming a poisonous flower nearby. All of the Phantoms have passed, which explains the title of Requiem for the Phantom; each one is freed from their earthly pains through a death each has in some way consented to. SPOILER END.

Elen's return to her homeland represents the realization of the wish Reiji had been staying alive for

It's a heavy series, but a beautiful one. I read a lot of complaints about the less-than-happy conclusion, but to those people, I have to ask: What did you expect? The three central characters spent most of the series fighting a losing battle in retaining their sense of self and humanity, and it would have been a joke if Phantom had concluded with them becoming fully normal and adjusted as if nothing had ever happened. Phantom isn't about twisted characters becoming perfect and having everything handed to them. It is about suffering and brutalized individuals fighting for what little they can have in life and trying to find some small measure of peace in each other and themselves, even if that peace is only caused by more pain.

That being said, Phantom is not for the faint of heart (and the nudity, sex, and violence means Mature Audiences Only!). Be prepared for quite a bit of being put through the emotional ringer, watching senseless crime, and having the efforts the characters take end in violence. As I mentioned, this series is a psychological drama, and what is most important is being able to understand Reiji, Elen, and Cal's motivations and what fuels their views on life and death. If you don't take the time to consider the characters, the show will just end up a tangled mess of violence and corruption without any redeeming qualities. But that isn't what it is. Phantom is first and foremost a deep character study and lesson in what happens when we are left without humanity, identity, and a strong sense of self.

So, all of ya'lls who like happy endings: don't worry, I do as well. But I hope that you can see the value in stories that don't end happily. Not everyone gets everything they want in life, but sometimes they just might get what they need, and even if that in itself is painful and laced with just as much tragedy as joy, it can be as beautiful and much more poignant than having the ideal life wrapped up with pretty ribbon and opened up neatly at the end.



On a happier note, next will be Sekaiichi Hatsukoi!   

Friday, September 28, 2012

Theme Spotlight: Gun's and Roses


Another example of an exemplary anime intro instrumental is Baccano's 'Gun's & Roses' performed by Paradise Lunch, an all female (and extremely talented) jazz ensemble. Baccano is among the most chaotic and crazy shows I've ever seen, and Paradise Lunch does it credit by not holding back their prowess and going all out. The track embraces the spirit of America in the 1930s (the setting of the anime) during the heyday of prohibition, mafiosi, and great train robberies, and keeps it spunky and fun, just like the kooky cast of characters do in their lives of crime, politics, and immortality.


Although known for their violence and crime, these cool cats also know how to kick back and enjoy the jazz.

Wednesday, September 26, 2012

Fun Stuff: Words of the Wise


There's nothing I hate more than people who brush off hobbies of reading manga and watching anime as 'childish' or 'just reading comic books'. As an English major, the first thing that comes to my mind is: What on earth is wrong with reading comic books? There is virtue in all kinds of reading and literature, and manga in particular has a bevy of teachings and morals that are on par with those in great works of literature. Besides, here in the West we rarely get a taste of Eastern culture and philosophies in places outside of school. Manga has in many ways exposed me to ideas I would have never thought of on my own, and that is an experience very far from childish.

There are many quotes I have uncovered in anime and manga that have influenced me as both a person and a fan or writing, and I'm sure that most fans have had similar experiences. In this posting, I would like to share some of my favorites from the shows/games I love and keep coming back to. These are the ones that have stayed on the top of my head and made me think, and I hope as I continue to read and watch and reread and rewatch that I'll be able to add more to my collection of wisdom (and the walls of my dorm!). Please note that translations vary: some are from the published versions, some are fan translations. The integrity of the statement should still be intact, even if its not the 'official' translation.


 1. "Even if you protect the weak and the ones you love by sacrificing of yourself with the compassion of the Buddha himself, sorrow will remain in those people. They will never be truly happy. Even if you quell danger with your fierce anger, sacrificing your life... it is only for one short moment in time, and time goes on. The will to live is the heart of existence. Do not forget that" -Hiko Seijuro from Rurouni Kenshin
Why it rules: In anime, manga, literature, and life there are people in the world who are death seekers (people who have lost their purpose and motivation and are all right with the idea of dying regardless of the feelings of those who love them) or who place their survival as secondary to someone else. We all have a little bit of this inside us. There are several people I would willingly take a bullet for, and as a society as a whole, we often see nothing wrong with taking actions such as these. In fact, Maximilian Kolbe's sainthood in the Catholic church has a lot to do with his decision to give up his life for the sake of a stranger in Auschwitz. We love sacrifice and see it as the ultimate symbol of kindness and friendship, but what Master Hiko reminds us is that there are always people left behind in these instances who are filled with guilt at being sacrificed for, and are kept from being able to find happiness. Oftentimes, they find themselves resenting the person for throwing themselves away and diminishing their own value. Whatever your perceptions of sacrifices are, several characters have faced the brunt of them in anime and manga (Franz and Albert from Gankutsuou, Seishriou and Subaru from Tokyo Babylon and X, Natalia and Asch from Tales of the Abyss come to mind), and it makes one question whether or not sacrifice is a kindness or a cruelty.


Master Hiko's words of wisdom encourages Kenshin not to treat his life lightly and cause Kaoru and the people who love him pain.

 
2. "The thing that makes that person special, the things that make him different from the rest is that he is him. I have found him: the things that he can't do because he is him, the things that he can do because he is him. I fell in love with him because he is that person. And I believe he will find them: the things I can do because I am me and the things I can't do because I am me, and then... hopefully he will love me... because I am me." -from 'A City With No People' in Chobits
Why it rules: I'm sure it's not uncommon for people to date/be involved with someone who asks 'Why do you have to be so ____?" or "I don't like it how you ____". Sure, there are plenty of things about us that bother other people and habits that we would be better off correcting. But a person who truly loves us will take the time to realize what we are and are not capable of doing, and respect us all the same. The things that define who we truly are (rather than habits and conditions that are temporary and changeable) should not be brushed aside because they do not suit someone else's tastes. As another guru Dr. Seuss once said, "Be yourself, because the people who mind don't matter, and the people that matter don't mind."


This story within a story offers the insights that make Chobits so thought provoking


 
3. "Courage is the magic that turns dreams into reality." -Aster and Richter Abend from Tales of Symphonia: Dawn of the New World
Why it rules: This oft repeated line from the game probably drove a few fans crazy, but I personally took it to heart even though between Richter, Emil, Marta, etc. the saying was drummed quite forcefully into the players' heads. However, truer words were never spoken over and over again. Most dreams we have, be it personal or professional, aren't going to come true if we sit by passively and wait. And to take action and make a difficult ambition or hope more than just a private wish, what do we need? We need many things, in truth, but courage is number one on the list. If you're not brave enough to step up and own your wish, then there's really no point in wishing it to begin with (unless it's a pipe dream, although those also serve to motivate people towards achievable goals). These words certainly had an effect on Emil, and on Richter as well, and led them both to overcome prejudices and self-inflicted doubt to fight for the side they believed in.


If you ever forget these words, Emil will be happy to have ten flashbacks to Richter saying it to him.    

4. "If you meet the Buddha, kill the Buddha. If you meet your father, kill your father. Free of everything, you are bound by nothing. Live the life that was given to you." -as repeated by Koumyou Sanzo in Saiyuki
Why it rules: It seems like a cold hearted statement on the surface, and it is often used as such by Genjyo Sanzo when he is attempting to distance himself from his companions in order not to burden them with having dependence on him (the sacrifice of Koumyou Sanzo on his behalf was the cause of this, which makes an interesting connection to quote one), but this quote is actually quite good advice for those of us who rely overmuch on the influence of others on our lives (family, religion, peers, media, etc). We don't necessarily have to go around killing these connections (the quote isn't meant to be taken THAT literally) or ignoring them completely, but it is important to be aware of them and how they take us down paths that we would never choose ourselves if it was up to only us and what motivates us inside. There is virtue in guiding ourselves rather than being guided by others, and in recognizing the life we want rather than the one others want for us.


Koumyou's words have a huge impact on how Sanzo chooses to live his adult life.

5. "No one should tell you how to mourn. And when someone says 'move on', you take their hand and say, 'my choice'" - Aveline from Dragon Age II
Why it rules: While not an anime example, this line is too excellent for me not to include it. Aveline is addressing Hawke during a particularly painful time in his/her life, and shares a story of how when she was younger and read with her father, he would not turn the page until she guided his hand to indicate that she was ready. In a similar way, we cannot always allow others to move us forward when we are mourning, and 'turn the page' before we are ready to move on. In a similar fashion to the quote above, the way we live our lives is ultimately our choice, and even if we allow others to choose for us, we have chosen or consented to submit our will to their guidance. If we want to live this life given to us, our hands should be the one moving the page forward, even if it does so grasping on to someone else's. 


Aveline's advice is rare moment of tenderness from the typically solid woman.

6. "The instant one gives up, that is when it all ends. Keep wishing. Wish strongly! Wish hard! Do not let it matter what kind of being you are! Do not let it matter what pressures others put on you! Continue to wish for that which your heart truly desires!" -Ashura (of Shura Country) from Tsubasa  
Why it rules: This advice, given to Syaoran before Ashura submits to death at having failed to realize the impossible wish of reviving someone who had died, is something completely consistent with CLAMP philosophy, and with many of the other philosophies already expressed here. Ashura's wish was one he/she (oh, the challenges of English not having a suitable androgynous pronoun) knew could not be achieved, but the fact that he/she held onto it as a true desire of the heart speaks strongly to the importance of not compromising a wish for the sake of anything, even the demands of the world. The moment of giving up on an authentic and important wish really is a moment of no return. As one of my favorite bands Jimmy Eat World puts it, "When you let go, then that's where time will stand".


Syaoran respects Ashura's wish by never giving up the true desire of his heart during the events of Tsubasa.


That's all for now, but as with my theme spotlights, I hope to post more great quotes in the future!

Monday, September 24, 2012

Theme Spotlight: Shiawase no Iro


One of the interesting elements of the Ah! My Goddess television series is how heavily the opening and closing tracks borrow from the sensibilities of Celtic style music, paying homage to the bagpipes and winds of both Ireland and Scotland. Of course, one of singer Yoko Ishida's strong suits is being able to blend cultures and make it come out as a perfectly interwoven tapestry rather than a hodgepodge of different cultures. 'Shiawase no Iro,' the opening of the second season showcases this ability of hers perfectly. If you're a fan of music, you can probably identify a handful of different styles she uses, but all of them add up together to form one cohesive song. This is a tune Belldandy herself would have no qualms belting out with the help of Holy Bell!

Who better to sing tracks for a show about goddesses than a woman with a voice like a goddess?

Friday, September 21, 2012

Picking on the Cutie



This spring, I attended Animarithon at Bowling Green State University in Ohio with a handful of friends from my university's Anime Club. It was on a much smaller scale than the mammoth Ohayocon I had gone to a few months earlier, but I had a great time panel-hopping, shopping, and raving with my friends while dressed up as Dimension Witch and resident cryptic warning spewer Yuuko Ichihara from xxxHolic and Tsubasa. One of my favorite parts of the event was the Manga Library, which was filled with a good number of manga series for con-goers to enjoy in between panels or if they needed a break from wandering around the university. In bigger cons, they usually have anime viewing rooms instead, but I think I actually liked the manga library better. The moderator enforced the “quiet while people are reading rule,” and it gave avid readers like me a chance to check out series that local libraries don't usually carry (aka, something other than Bleach and Naruto).

Me at Animarathon as Yuuko.
I started off revisiting Cardcaptor Sakura (I had recently watched the anime and wanted to confirm a few of the differences I had noticed between the two), but eventually wound my way around the room looking for Toradora, a cute romance I'd been becoming a big fan of. What I found was even better: Tokyo Babylon, the early 90s CLAMP series featuring young spiritualist and too-cute-for-words Subaru Sumeragi and dashing but yet secretly sinister Seishirou Sakurazuka (better known for their stint in apocalyptic follow up series, X). I had already seen X: The Animated Series and was familiar with Subaru and Seishirou's back story, but I had been dying to get my hands on a copy of the manga to read first hand. I grabbed the whole stack, and dove right into the origin of the broken boy who had always haunted me in X.

Hmm... I wonder which era this is from?

The experience was thoroughly enjoyable, even in spite of the fact that I was undergoing heavy allergy related eye torture at the time (fitting for a CLAMP reading session) and was weeping tears of pain while trying to figure out what to do about my blood shot baby blues, considering I forgot to bring back up glasses should my contacts fail me (besides, glasses didn't go with my Yuuko cosplay). I already loved the nine-years-into-the-future Subaru from X-- which is saying a lot, considering he is quiet, withdrawn, and depressed at this point-- and I fell in love even more with his sunny younger self in his hot red jacket, tight eighties pants, and collection of hip head-wear and gloves. He seriously looked like the Japanese love child of Madonna and Michael Jackson, and was barely distinguishable from his equally cute twin sis, Hokuto.


Bringing back the nostalgia with Subaru and Hokuto

All the same, I was a bit surprised. Considering the gravity of X, I wasn't expecting Tokyo Babylon to be as light-hearted as it was at points (before the CLAMP-ness sets in, of course). The manga carries a heavy weight of cynicism regarding the unfeeling nature of the city and the shortcomings of human nature, but the moments between Subaru, Hokuto, and Seishirou (who at the beginning simply seems to be a kindly veterinarian) are initially tender. Seishirou is not at all coy about the fact that he wants the innocent Subaru to be his lover (making this one of the most blatant shounen-ai pairings in CLAMP history, coming out even ahead of Touya and Yukito of Cardcaptor Sakura and Tsubasa fame), and Hokuto cheers his affections on, in spite of Subaru's embarrassment at being singled out by the older man. These sections of the manga bring a much needed levity, especially when things inevitably go to hell later on, which I'll touch upon soon.

Hokuto and Seishirou plan his marriage to the Subaru. What on earth is a hindering koala?

The majority of the story features sweetheart Subaru (age 16) as he fulfills his duties as the head of his onmyoji family by solving occult mysteries, exorcising spirits, and helping people in need wherever he can find them. Subaru is a powerful magician, and is very good at what he does, especially since his strong sense of compassion helps people heal their hearts when nothing else works. However, Subaru's kindness is in many ways his downfall. In many of his battles against villains or dark supernatural elements, Subaru can't make the killing blow or hesitates at the wrong moment. This is when the hidden side of Seishirou begins to manifest itself. Whenever Subaru doesn't finish the job and ends up knocked unconscious, Seishirou is inevitably lurking in the shadows to take care of the messy killing for his friend. He clearly has powers beyond your average veterinarian, but at this point both his intentions and his alignment are unknown. He doesn't seem to have a problem with murdering, but protecting Subaru still seems to be a priority to him, even though the reasons why are still a mystery.

Hokuto doesn't have Subaru's powers (although she does have a few unique spells she can use when the need arises), but she likes to help him in any way she can, mostly by encouraging Seishirou whenever he gets flirtatious and by designing Subaru's elaborate Michael Jackson-esque wardrobe. She is bright and energetic, and her brother's happiness comes first and foremost to her, though she enjoys teasing him just as much as Seishirou does.
Before the WHAM chapters happen, we do get a sense that something isn't quite right. Subaru has frequent flashbacks of making a bet with a mysterious man under a sakura tree, but he can't remember what the bet was or the identity of the man. However, based on the atmosphere of these flashbacks, it's obvious that both the man and the bet were of a sinister nature.

A flashback to the bet


SPOILER TIME
Everything starts going wrong during a case that brings Subaru to a hospital where a psycho mom decides to knife someone in order to have a fresh kidney for her child on a transplant list (she's too crazy to realize medical procedure doesn't exactly work that way-- she doesn't even confirm that Subaru is an organ donor first, silly woman). Although poor, innocent Subaru is the woman's target, Seishirou leaps out and takes the blow, which unfortunately yet unsurprisingly gets him in the eye (oh, CLAMP). While Seishirou is whisked away for medical attention, Subaru is crushed. The impact of having someone make such a significant sacrifice on his behalf is astounding to him, and he can't help but wish that he was the one that had gotten hurt rather than Seishirou. When he learns Seishirou has gone permanently blind in his injured eye and might consequently lose his sight in his other eye (cue to me protectively covering my red and weeping eye, which I had just been considering ripping out moments earlier), Subaru goes nuts, punches a hole in the wall, and realizes that this powerful and consuming emotion has to be love. In this moment, Seishirou becomes Subaru's Soul Mate and Most Important Person, which in CLAMP manga is something that Cannot Be Undone. Once you find your destined partner, you share an eternal bond that cannot be severed no matter what happens. Subaru learns this one the hard way.

Wait, THESE guys are soulmates? Didn't see that coming!

Of course, it seems like everything should be sunshine and daisies after this revelation. Seishirou has been hitting on Subaru from the very beginning, and seems like a nice, supportive guy. What's more, Hokuto whole-heartedly approves, and would probably happily design their wedding, complete with Subaru's bridal suit/gown (I would be interested in seeing both). But attentive readers and X fans know that all is not well. For one, Seishirou has begun making allusions to the bet, meaning that the creepy guy under the sakura tree was him all along. For two, this is CLAMP, and realizing you're in love with someone means that one giant obstacle is about to crash land in the plot.

Not long after Subaru falls for Seishirou, the duration of the bet reaches its conclusion. Subaru and Seishirou meet once again under the sakura tree, and Seishirou declares himself the winner of their little gamble, and kindly helps Subaru remember what went down. Apparently, Seishirou is the Sakurazukamori, the leader of a clan of cold blooded assassins (the foil of the Sumeragi clan) that kills without messing around with niceties and compassion for the enemy. Little Subaru had the misfortune of stumbling upon Seishirou in the middle of one of his assassinations, and the rule is that anyone who sees the Sakurazukamori in action must die and take the secret to their grave. However, little Subaru was such a pure, darling innocent that Seishirou decided to give him a break on the condition that they make a bet with one another: Seishirou would spend one year together with Subaru and try to fall in love or at least have some sort of human emotion for him. Since he is the Sakurazukamori, this is no small task. All that matters to him is killing, and nothing else is sacred in his heart since love interferes with the pure intent to murder. But if he ends up feeling that Subaru isn't just another thing to be destroyed by the end of their year together, he'll let him live. If not, Subaru is toast. To seal the deal, Seishirou marked his hands with the inverted pentacles of the Sakurazukamori (hence Subaru's gloves; they were supposed to keep him protected, although Seishirou found him anyways) to mark Subaru as his prey. You know, just so all the other heartless assassins in Tokyo don't get any funny ideas.


This is the other purpose of the glove, naturally

Unfortunately for Subaru, Seishirou says he isn't in love with him, and can't see any reason why Subaru shouldn't be destroyed just like any other person or thing. And if this isn't hard enough for our hero to hear, Seishirou then proceeds to break his arms and torture him while mocking him for being such a failure. You can practically hear the poor boy's idealism and heart breaking into a thousand little pieces as he suffers these things for the person he loves. Death would almost be welcome at this point.

Fortunately (or unfortunately as the case may be for Subaru), Subaru's wise grandmother sacrifices her mobility to break Seishirou's spell over Subaru, and Seishirou is unable to finish him due to her actions. In spite of this, Subaru has had enough. His heart is broken and his cheery optimism smashed into pieces, and the shock of it is too much for him. He enters into a catatonic state, sitting blankly while Hokuto apologizes over and over again for encouraging Seishirou, even though she sensed he was dangerous. All she wanted was for someone to touch Subaru's heart, and now she is ready to do anything to atone for her mistake.

And what better way to atone than a little bit of self-sacrifice? Of course, there is deeper meaning to this as we learn in X, but in Tokyo Babylon we see her troop out to confront Seishirou alone, only to have him impale her with his hand (one of his special finishing blows) as if they had never been friends in the first place. Subaru, who is currently locked away inside of himself, sees the whole thing unfolding in his mind's eye, and is powerless to do anything. The realization that yet another person has given of themselves on his behalf opens Subaru's eyes to the fact that he does have something have something he wants to live for, or, more specifically, a wish he wants granted before he loses his life. He wakes up from his coma and continues on as head of the Sumeragi clan, living for the day when his wish will come true.
I won't spoiler the details of his wish here. That's X territory, and I plan to post on X soon enough.

Following these events, Subaru begins to develop his more mature look from X.  The tragedies in his life have definitely taken a toll on him.

After such a heartrending ending, most readers are left with one burning question: Does Seishirou secretly love Subaru even the tiniest bit, or is he really a big ass heartless jerk?

The straightforward answer is even without Subaru in the equation, Seishirou is a big ass heartless jerk. It's part of his character. As the Sakurazukamori, he isn't going to go around weeping over the cuteness of baby kittens. He is going to kill (the baby kitten) and kill without mercy, just like he did to Hokuto, who he used to be perfectly friendly and civil to in his one year with Subaru. This is not the action of a kind person, and I am not going to go around pretending that he is not a sadistic and cruel man, even though I do enjoy him as a character. If you need further evidence of this, please refer to the manga version of X to see more of his exploits.

On the other hand, as a CLAMP creation, Seishirou is not at all a purely black and white cookie cutter ball of evil, so he deserves a closer look. Does he love Subaru? The question is never fully answered, but it is explored with more depth in X. When I write on X, I'll probably talk about what the actions Seishirou takes as a Dragon of Earth reveal, but for now, I will leave with two points to consider. For one, we later learn that Seishirou confronts Subaru many times in the years leading up to X, but never kills him. The condition of the bet was if Seishirou cannot distinguish Subaru from all the other things he's unemotionally destroyed then he will kill him. The fact that he doesn't go through with it may be telling, although I have no doubt in my mind that if Subaru's grandmother had not intervened, the Sakurazukamori would have taken care of Subaru after revealing the details of the bet. Perhaps having the time to think it over made the difference since he was no longer acting in the passion of the moment. Not to mention that one usually doesn't sacrifice an eye for someone they couldn't care less about and want to kill, but if Seishirou himself ever realizes this is uncertain.

As a general rule, the actions Seishirou takes in X counteracts these statements.

Secondly, we eventually learn that the only way to become the Sakurazukamori is to kill the former one, and that the Sakurazukamori is destined to be overtaken by the one he/she loves the most. In the case of Seishirou, he killed his own mother to become the head assassin, and when she tells him he will also one day be killed by someone he loves, he claims that love is impossible for him. His mother laughs and says she felt the same way up until she learned to love him in spite of the heartlessness of her occupation. If Seishirou does hold a little bit of love for Subaru, he's well aware that it isn't even destined to turn out well. In his mindset during the events of Tokyo Babylon, it may very well have been better for him to kill off Subaru rather than tempt fate and have an innocent boy eventually dirty his hands.

In any case, whatever love exists between them is not going to be the sweet, fluffy love of shoujo manga. No matter what you think of Seishirou, he gets his kicks out of playing mind games with Subaru, and the Subaru we are left with at the end of Tokyo Babylon is hardly Mr. Happy anymore thanks to what Seishirou has done. Any way you look at it, the relationship between Seishirou and Subaru is highly destructive, even if it is mutual.

In the end, soul mates are soul mates to CLAMP. Even in the Tsubasa multiverse, Subaru and Seishirou are destined to be entwined with one another, for better or for worse. Their eternal bond is something inescapable, and no matter what bitterness comes along with it, they have no way of forgetting each other or avoiding involvement in each other's ultimate fate.

Seishirou and Subaru appear in Tsubasa as a hunter and prey pairing. 
END SPOILERS

Tokyo Babylon is a good choice if you have a tough heart and can handle a heavy dose of cynicism and love that doesn't unfold as it should. It will make you question human nature and emotions, and wonder about what love really is, and how much pain and doubt it can withstand. It makes for light reading in the beginning, but the heavier sections near the end are what make it an excellent story rather than just a good one. For fans of X, it also makes for good supplemental reading to better understand Subaru and Seishirou's motives in the battle for the end of the world, as well as Kakyou's once his connection to Hokuto is revealed. And it's always nice to enjoy the young, cheerful Subaru while he lasts; he is an enjoyable character through and through, even when his attitude is forced to undergo a change.

And good news, anime fans! There are OVAs and a live action movie to go along with Tokyo Babylon! I haven't seen the live action, but the OVAs mostly cover Subaru as he tackles occult occurrences and tries to get to the bottom of spiritual mysteries. His bet with Seishirou is alluded to in the second OVA, but all in all the issue of their relationship is not brought up too often, and unfortunately Sei-chan never gets around to asking Subaru if he finds him sexy, as he enjoys doing in the manga. The quality of the animation is meh compared to X, and one of the songs used in the OVAs cracked me up with how bad it was, but overall I enjoyed watching them, and would recommend them for fans of Subaru and co.

The OVAs don't cover the main conflict, but still tell a good story.

As a break from my constant shounen-ai fandoms, next up will be Phantom: Requiem for the Phantom.

Thursday, September 20, 2012

Theme Spotlight: World End


Thanks to the wonders of Last.fm and its musical recommendation options, I discovered the j-rock band Flow not long after getting into UVERworld. Naturally, I was thrilled to learn when I began watching Code Geass that FLOW sings the first and second seasons' opening tracks (or at least one out of the two), joining the talents of some of my other favorite bands such as Orange Range and Ali Project. I was surprised at first that the theme wasn't more hard driving (a la "What's Up People," the opening theme to the second half of a similarly themed show, Death Note), but the words still perfectly reflect the struggles of both Lelouch and Suzaku as they face up to the consequences of the changing world they have helped to create. Sometimes the results of a battle for the world are not quite as ideal as they seem...   

Lelouch vi Britannia commands you: Listen to this song and love it!

Monday, September 17, 2012

Theme Spotlight: Tabi no Tochuu


When it comes to music, Spice & Wolf wisely stays true to its more historical fantasy roots and avoids overly modern songs, instead opting for timeless melodies and strong, sweeping vocals that resonate with of music lovers of every era. Natsumi Kiyoura's 'Tabi no Tochuu' does this flawlessly, starting soft and evocative and moving to a full blown ending with multi-layered vocals. The atmosphere is perfect for the invented world of Lawrence and Holo where the simple and purely beautiful shine through without the help of excessive distraction and technology.

The landscapes in the anime celebrate the beauty of the natural world, and the music works perfectly to compliment the visuals.


Saturday, September 15, 2012

Fun Stuff: 30 Day Anime Challenge

For those of you who enjoyed the 30 Day Shipping Challenge, here's one focused on anime in general. I personally have a great time digging through my memories of watching my favorite shows to pull up the answers to the questions and recalling the things I loved the most. So let's give this one a shot!



Day 1 - Very first anime: Technically Sailor Moon and Pokemon when I was a young 'un, but in my more adult career of watching anime, it was Tales of Symphonia, as I detailed in my first post. It was so much fun seeing a game I loved animated that I checked out other series, including Bleach, Gakuen Heaven, xxxHolic, etc. But the very first were definitely the good old nineties classics. 


Ah, nostalgia. Brings back those good old grade school days.


Day 2 - Favorite anime you’ve watched so far: Definitely xxxHolic. I am obsessed with Yuuko, Watanuki, and Doumeki, so I was absolutely ecstatic to see them in the animated form. I was also pleased with how well the first two seasons stuck to canon and kept the filler to a minimum. Also, the use of Suga Shikao for opening themes? Um, YES!

Day 3 - Your anime crush: Oh, I definitely have plenty. Ogami from Sakura Wars, Hakkai from Saiyuki, Kyoya from Ouran High School Host Club, Yuri from Tales of Vesperia, Kotetsu from Tiger & Bunny... the list goes on

Day 4 - Anime you’re ashamed you enjoyed: Hmmm... I don't know, I don't really get ashamed of things I enjoy. With Tsubasa, I, along with many of CLAMP's fangirls, was disappointed by the filler and veering from canon, but I still enjoyed it aside from the many problems... mainly because of the soundtrack and the absolute joy of seeing Fai D Flourite animated.
 
Day 5 - Anime character you feel you are most like (or wish you were): I feel a kinship with Franz from Gankutsuou. We both like to be the voice of reason to our hot headed friends, and have a tendency of keeping our heart to ourselves. We both have someone we love very passionately, but realize we aren't the right person to make that person happy. Instead we do everything we can to ensure they are happy, even if our own happiness takes a backseat.
Franz does get minus points for engaging in needless self-sacrifice, though


  Day 6 - Most annoying anime character: I tend to have a problem with clingy jealous girls and guys. Sodia from Tales of Vesperia comes to mind (although I suppose that's the video game rather than the anime). And Yokozawa from Sekaiichi Hatsukoi before he finds his own romance and gets over Takano.

Day 7 - Favorite anime couple: Kurogane and Fai from Tsubasa. So deep and complex, it makes me drool with all of the fanfiction possibilities. 

Day 8 - Most epic scene ever: One of my favorites is when Light is trying to figure out how to keep Ray Penbar's lady love from reporting to the police what she knows about Kira in Death Note. The mental work that went into stopping her is just astounding, and the pacing and tension of the scene is brilliant.

Day 9 - Saddest anime scene: Since I've already gone on and on in other postings about my sad Tomoya/Nagisa scene in CLANNAD, I'll pick a different one this time: Subaru and Seishirou in X. All of their interactions together. The scene where Subaru broods on his ailing heart. The scene where we learn that Subaru can no longer make his barrier because he lost the thing he wanted to protect and has pretty much lost his usefulness as a Dragon of Heaven. Gaaaah, Subaru.

Ah, those two...


Day 10 - Favorite slice of life anime: Now that I think of it, I watch very few things without fantasy elements. Does Kuragehime count? If so, then totally Kuragehime.
 
Day 11 - Favorite mech series: Code Geass has a pretty awesome use of mechs going for it, but I like the personality of the machines in Gurren Lagann. Especially the incorporation of Kamina's shades onto the machine.

Day 12 - An ecchi picture from your favorite series: Ummm... let's just have kinky Watanuki and Doumeki from a doujinshi



 
Day 13 - Cosplay of your ‘waifu’ or Husbando’: I don't want to post someone's photo without permission, but if I did, it would most definitely be a Ranulf cosplay from Fire Emblem.
 
Day 14 - Current (or most recent) anime wallpaper: To go along with the fanfic I'm writing, One Soul

This is 100% in character too, which makes it even better


Day 15 - Post a cute Neko-girl: NOPE! Let's do a neko boy!




Day 16 - Post a kigurumi cosplay of your favorite anime character: Don't want to post someone without their permission

Day 17 - Favorite tsundere: Hiro-san from Junjou Romantica, of course. I love it when he orders flowers for Nowaki and then orders him not to get a big head over it. Nowaki still tackles him and announces that he's so happy he could die.

Day 18 - Something moe: Finland!




Day 19 - Mandatory swimsuit post: How about the pool scene from Toradora?




Day 20 - Favorite shoujo anime: Fruits Basket. My god, Fruits Basket. Although the series is incomplete, I just love the characters and romance so much that I can't be mad at the show. It would be nice if they animated the amazing ending the manga gives us.

Day 21 - Best yandere character: Belarus, naturally. 

Day 22 - Favorite boy’s love couple (or yuri couple, if you don’t like that sort of thing): Well, I love my KuroFai, but that's not a real BL series. So how about Kisa and Yukina from Sekaiichi Hatsukoi?
 
Day 23 - Anime you think had the best, or most intriguing art: Gankutsuou hands down. Especially the clothing designs of Haydee, as well as Albert's pirate outfit.

So awesome... it's even better when you see it in movement

Day 24 - Favorite anime hero or heroine: Lloyd Irving from Tales of Symphonia is a pretty excellent hero. I'm also rather fond of Vash from Trigun. And Kenshin from Rurouni Kenshin.
 
Day 25 - Best anime villain: Ulquiorra from Bleach. His final scene... hot damn. He really does perfectly personify emptiness, and of course the fact that he's voiced by Daisuke Namikawa doesn't hurt!

Day 26 - Your favorite harem anime: I demand reverse harem! And as far as that goes, Ouran High School Host Club does it best.

Day 27 - Favorite anime opening theme song: Oooh, this is a toughie. Durarara does an excellent job with their track by Theatre Brook, and I'm rather fond of 19sai from xxxHolic. But really, does anything beat the Pokemon theme song?
 
Day 28 - Favorite pokemon: Bulbasaur!

Day 29 - Favorite school uniform: I'm going to have to go with CLANNAD




Day 30 - Anime character you want to cosplay: Euphemia from Code Geass. Costume is already on order!