Why do wasps exist on this planet? Of
course, I'm well aware there's a long scientific answer to the
question that I don't really want to get into right now. And there's
also the shorter, more condensed answers about the “circle of life”
or “everything is God's precious creation,” but in all honesty,
those answers have never never done anything for me. Wasps sting.
Often without provocation. They get into your pop while you're trying
to have a picnic and get stuck in your mini-blinds in the summer, and
cause pain that in my book isn't worth the sweetness of their honey
and pollination assisting. Leave that to the more mild mannered honey
bees and bumblebees, who are much better at minding their own
business.
Do all things really have a place? Do
all plants and animals and even people have the right to simply be as
they are without interruption?
These are some the questions at the
heart of Mushishi, an
episodic supernatural story which follows Ginko, and expert on
spiritual beings called Mushi, as he travels the world investigating
issues caused by the presence of these spirits. Mushi, as described by the
show, are creatures in touch with the basic essence of life, who are
simple and pure, and simply try to seek out conditions where they can
survive. Most humans can't see them, but that doesn't mean they don't
influence the lives of humans. In some cases, spiritually aware
people such as Ginko attract them like a magnet and cause them to
overpopulate an area. In others, humans can simply go on living their
human lives and either provide Mushi with a suitable environment to the
detriment of their own health (in the case of possessions or
infestations), knowingly or unknowingly abuse them, or wander upon
their habitat unawares.
Ginko, our resident wise man in regards to Mushi and their potential place in the world |
The
trouble with Mushi, though they are not inherently malevolent, is
that they more often than not negatively affect humans. They can take
over their bodies, eat their memories, grant them problematic powers,
or harm loved ones. These are several things they are driven to do by
their primal need to survive. For example, one Mushi feeds on sounds,
and needs to implant itself in the ears of others in order to consume
its food, though this in turn steals the hearing of the person
hosting it.
Ginko
is well aware of the dangers of Mushi, but at the same time does not
seek to destroy them as some of the other Mushi-shi do. When they
interfere negatively in the lives of humans, he will often stop them
and kill them if he has to, but at the same time, he recognizes them
for their lack of malevolence and that their actions are simply
'being as they are.' And if that state of being can be monitored and
kept in line so people are not hurt by their actions, then he sees no
reason to exterminate them as a whole.
One of the forms of Mushi, though they can have various forms depending on their species |
That
being said, every episode follows Ginko as he deals with a
problematic Mushi, and the ones with more adverse influences on
humans (one that implants itself into the wombs of mothers, for
example) need to be handled with more decisive action than others.
There is no overarching plotline, so the episodes can watched in any
order, though I recommend at least watching Episode 1 first since it
has the clearest description of Mushi as well as Ginko's role in
investigating them. Unlike other supernatural stories of a similar
kind (xxxHolic, Natsume Yuujinchou,
Tactics, etc), the
spirits' bodily influence on human can oftentimes be disturbing, so
the faint of heart should stay away if the thought of a bodily
invasion seems unappealing.
For example, this Mushi lives in eyeballs. And in spite of my CLAMP fetish, I actually think anything odd involving eyeballs is gross. Luckily, I know when to avert my own. |
There
are also very few repeated characters (though the character design for
younger boys is generally recycled), and we spend most of our time
with Ginko and whoever his latest client is. Ginko himself is fairly
quiet and sometimes emotionally distant, but his actions provide
clues to his personality, which favors neither humans nor Mushi, but
sees the purpose, flaws, and desires of both. He realizes humans
often make foolish mistakes and underestimate the power of Mushi when
they seek to abuse them (such as one who uses a Mushi to make his
daughter into a living God), but at the same time wants them to be able to live in
peace and happiness. In one episode, he discovers a village where a
Mushi makes it possible to turn dying people into embryos so that
they can be reborn, and does not exterminate the Mushi against his
better judgment because he wants the people to realize for themselves
whether or not rebirth will make their loved ones happy. In a similar
vein, he also does not destroy certain Mushi who possess dead bodies
in order to travel to the habitat they cannot reach on their own,
because the Mushi do not defile the dead bodies as much as the living
humans who try to chain the dead to their new life after their
possessions.
Ginko
is a strongly internal character, but still easy to like, which makes
traveling with him throughout the whole series enjoyable. As stated
earlier, he is not someone who forces his ideals down other people's
throats, but shows his thoughts through his actions and the choices
he makes in regards to human and Mushi.
Ginko's in your village, glaring at your bratty children. |
As a
supernatural fan, I enjoyed the message, simplicity, and artistry of
the show, which much more thought-provoking and interesting than some
of the more moe or heavily action packed shows that leave little room
for intense thought. On the other hand, after watching more
quickly-paced shows, it can often be hard to maintain patience through the
slower-paced Mushishi, which
unfolds gradually, oftentimes with little physical action or
dialogue. Its pace and episodic nature makes it a great show to
sprinkle in between episodes of other series', but it will require
greater patience than shows where one thing happens right after the
other.
Mushishi
also has a unique soundtrack. The opening theme is English language,
the closing theme switches instrumentals with every episode, and
rather than traditional score, most of the compositions played during
the episodes are inspired by the slow and gradual clanging of bells.
This would never work in other series, but in Mushishi,
where the world's silence and
slowness of life is emphasized, it works to optimum effect, and the OST is actually a great listen.
If
you love folklore and supernatural stories, Mushishi is
a must. It's beautifully directed and written, and each story will
give you something to chew over at its conclusion. While it may not
be an edge-of-your-seat show, it is an excellent piece of
spiritualism, philosophy, and speculation on the nature of how humans relate to
what exists around them. Not all the stories have happy endings, but
each does its best to provide hope for the future where people (and
Mushi) will be able to get along with their environment without
disturbing or harming it through the ways they 'be as they are'.
The natural world has its dangers, but is a rather beautiful place, after all. |
I
exist in this world. And as much as I dislike them, so too do wasps.
I am as I am, and wasps are as they are, and although they sting me,
I also bring harm them and their environment through my actions.
Is one of us more purposeful or worthy than the other? The fact
remains that I am stronger, so when it comes down to a conflict
between us, chances are I will win. But that does not mean wasps
should not exist for being weaker and I should abuse the fact that I
am stronger. As Ginko says, “Don't let yourself be blinded by fear
or anger. Everything is only as it is.”
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