Monday, February 25, 2013

Masculine Bodily Harm in CLAMP Part Two


(The following post contains major spoilers for CLAMP works including xxxHolic, and Tsubasa. Proceed with caution!)

(Link back to Part One)

xxxHolic



Doumeki and Watanuki:

 Though the scenes of bodily harm mentioned in Part One entered into disturbing and graphic territory at points, the exchanges in xxxHolic take place on a tamer, though equally consequential scale. Doumeki initially loses the use of his eye in a commonplace incident when he destroys a spider's web Watanuki is tangled in and earns the spider's grudge in the form of his eye being sealed with a web. Yuuko explains that the destruction of a spider's home is traumatic to it, and that to compensate for its pain, it deals “proportionate” retribution upon the offending party. Doumeki's condition is not permanent, but Yuuko is vague on the matter of how long it will take, and since spirits' lifespans are much longer than humans', there is the possibility that Doumeki will have to put up with the curse his entire life.

However, Doumeki is pragmatic when it comes to these matters. He destroyed the web, and thus is the deserved target of the curse. Since the world operates on balanced exchange, it is his obligation to suffer the consequences of his actions, no matter how innocently meant they were. He is also more cautious in how he sacrifices himself as opposed to Watanuki, who is more than willing to upset balanced exchange by sacrificing himself with little provocation. Based on Doumeki's attitude towards Watanuki, it is probably safe to assume he is satisfied that he was the target of the curse rather than Watanuki, who has sacrificed quite a bit at this point with needing to add yet another spiritual problem to his list.

Watanuki has a markedly different attitude towards Doumeki, treating him as an unwelcome intrusion and rival, but nonetheless cannot stand the sight of anyone suffering on his behalf, particularly when he is indirectly responsible (i.e. getting tangled in the spider web). With this in mind, he asks Yuuko how to transfer the spider's grudge to him, and gives Doumeki back his sight at the cost of the potentially permanent loss of his own eye.


Doumeki's expressions following Watanuki's reversal of the curse show just how shocked and hurt he is


The interesting trait to the interactions between Doumeki and Watanuki is that, unlike most CLAMP characters with such persistent homoerotic subtext, they never have a culminating moment which implies they have become a couple or even mutual lovers in the traditional sense. While the latter half of the manga shows them in a verging on married couple type role, both Watanuki's obligation to freeze his lifespan to remain in the shop and his desire to see Yuuko once again put limiters on whatever conflicting feelings he has towards Doumeki. In the case of Doumeki, most of the sexually-laden subtext remains on his side, with the text giving evidence to indicate that though he eventually goes on to marry Kohane, both of them are still deeply in love with Watanuki and want to fulfill their desire of keeping him from dying alone.
However, the primary eye exchange between Doumeki and Watanuki is devoid of the turbulent emotions which marked Subaru and Seishirou's. The loss for Doumeki resulted due to an instinctive action, and Watanuki's own reaction can also be viewed as instinctive and very much in line with his inherent, self-erasing nature.

It is when Doumeki learns of Watanuki's sacrifice that things at last become heated, and the exchange increases in significance. Doumeki places great importance in choosing for oneself and satisfying personal desires without the help of supernatural specialists such as Yuuko, so for Watanuki to reverse an action Doumeki himself chose to do is deeply insulting to him. The loss of Watanuki's eye is so upsetting, in fact, that he abruptly breaks his deliberate avoidance of asking Yuuko for favors, and demands for her to tell him a way to return the curse to its natural state. But since Doumeki and Watanuki's wishes are equal and opposite, she only agrees to accept the first wish brought to her to avoid endless back and forth between them.

It becomes increasingly clear that Doumeki's fixation on canceling out Watanuki's actions is much more emotionally rooted than Watanuki's initial reversal. He throws himself into investigating possible cures in his grandfather's extensive library, and experiences a moment evocative of his first meeting with Watanuki when he see him examining his missing eye in a mirror saying, “It's not coming back, is it?” These actions are motivated by his desire to keep Watanuki from needlessly sacrificing himself, and follow Yuuko's advice to him following the loss of Watanuki's eye: “It's okay to be angry with him. If a person sacrifices himself to save another, that person should know just what kind of scars that action leaves on the rescued person. If Watanuki has any importance to you at all, he should learn that! Get angry and teach him! That way, little by little, he'll change.”


Sadly, Watanuki is unable to immediately change his ways, and when a spirit with romantic feelings for him, the vestal Zashiki-Warashi, confronts the spider demon who possesses Watanuki's eye and is captured as a consequence, Watanuki expresses a willingness to hand over his other eye and any other part of him necessary to appease the demon threatening her. It's not until the spider demon chides him by saying, “You're throwing away your well being just like that? Do you think that something you can throw out easily can be exchanged for something important?” that Watanuki at last begins to consider the consequences of his constant self-erasing on his companions. When Doumeki requests to give part of the sight in his eye to fill the absence in Watanuki's, Watanuki has the dignity to for the first time quietly accept someone taking sacrificial actions on his behalf.


Through the rest of the series, Watanuki has dual colored eyes: the golden one is from Doumeki, the blue is his own.


The presence of Doumkei's sight within Watanuki is symbolic in the same way the shared eye of Seishirou and Subaru is. On several occasions, both characters are able to share a mutual vision through Watanuki's eyes, which generally occurs when spirits are nearby or Watanuki's emotions are excited. The flashes Doumeki receives from Watanuki allow him to witness the presence of spirits, which he had previously been unable to do, though he does possess powers of exorcism. Watanuki's personality also seems to undergo a subtle shift following his symbolic joining with Doumeki, and he eventually comes to the conclusion that he shouldn't erase himself from the world at the cost of hurting his friends. He even becomes much more willing to acknowledge the occasions when Doumeki extends himself on his behalf, particularly after the incident when Watanuki steps in between Kohane and her mother during a violent conflict.

The unfulfilled nature of Doumeki and Watanuki's relationship may have something to do with CLAMP's somewhat abrupt conclusion to the series which renders the egg Yuuko imparted to Doumeki before her death meaningless considering the sacrifice Sakura went through to retrieve it, and also leaves Watanuki oddly in the position of waiting for Yuuko, though deaths are irreversible in the CLAMP-verse, and even should she reincarnate, it is doubtful Yuuko would be pleased that Watanuki was never fully able to move forward independently in the way she wished him to. However, the physical exchange between Doumeki and Watanuki is still poignant in the sense that it influences the shift in Watanuki's perception and willingness to engage in self-erasure, and confirms Doumeki's central motivation in assuring Watanuki is happy and healthy in both heart and body. Though the two characters are left without an established emotional union, the back-and-forth they endure together with their eyes does its part to establish a bond that even Watanuki cannot satisfactorily deflect.




Tsubasa



Syaoran and Tsubasa Syaoran:

(For the sake of clarity, I will be referring to the Syaoran from the first half of the manga as 'Syaoran,' and the one who is with group following the events of Acid Tokyo as 'Tsubasa,' his true name)

Though bodily harm to the eye has thus far been used as a homoerotic exchange in previous CLAMP manga, Tsubasa presented a unique example with the exchange between Syaoran and Tsubasa, a boy who is both his son and the human being he was cloned from. In the past, Tsubasa gouged out his eye before submitting to his price of losing time in order to pay for his wish to rewind time and save 'his' Princess Sakura. Tsubasa takes the eye, which contains his “heart,” and implants it into Syaoran, hoping that possessing a heart will gave him access to enough emotions and memories to make him able to give birth to his own heart when Tsubasa takes his back. However, when the seal breaks on the implanted heart, Syaoran loses control of his memories and soul, and in essence transforms into a thoughtless, single-mindedly brutal puppet of Fei Wang Reed, possessing little understanding of who Tsubasa is other than the fact that he poses a threat.

For Syaoran, his blind eye is the first link he has to the soul and pure intentions of his original copy


Though Tsubasa is aware when he initially sacrifices his eye that Syaoran may still very well succumb to Fei Wang's influence, his actions show a willingness to validate Syaoran's existence in the universe, in a similar way to how he constantly tells Watanuki not to vanish simply because he's the copy of an original human life. By sharing his heart in the form of his eye, Tsubasa not only has a way to glimpse upon the actions of his clone and the traveling party, but also a method of preventing Syaoran from spending his life as a tool of manipulation when he is just as worthy of happiness, despite being a clone.

This action on Tsubasa's part has a major impact on the final chapters, when Syaoran is able to escape from Fei Wang Reed's control, build a life with 'his' Sakura, and eventually give life to Tsubasa, setting up the eventually destroyed time loop of Tsubasa in motion. But more importantly, this physical exchange represents Tsubasa's faith, not only in the potential for life formed by unnatural means to find individual happiness, but also in the very concept of the soul itself. The “heart,” he gives is not the blood pumping organ we are familiar with, after all, but rather the essence of Tsubasa. The soul is not the mirror reflection of his personality and life experiences, but rather the foundation he built upon to become who he is, which is inclined and disinclined to certain things, but still able to be influenced by outside factors.

The soul plays a large role in CLAMP manga, particularly in their sweeping multi-verse where the same soul exists in several locations. For example, we see the couple “Arashi” and “Sorata” in several different dimensions, and while they were raised in different conditions and have different life stories, each appearance of their souls has them falling in love and desiring to be together. Since Syaoran is filled with Tsubasa's soul, it's only natural that he would be drawn to Sakura, and display some of the traits inherent to Tsubasa as well as the Syaoran we met in Cardcaptor Sakura.

There are, however, marked differences between them, or else it would be odd for them to have a father-and-son relationship. As Tsubasa says to the Fei Wang Reed controlled Syaoran, “I've been watching all this time through your right eye. The things you've seen, the people you've met. The one for whom 'that' Sakura was most precious wasn't my soul! It was you, wasn't it?” Knowing what he knows about the nature of clones, Tsubasa is aware that the young girl he fell in love with is different from the Sakura whom Syaoran harbored feelings for. His exchange was not meant to give Syaoran the very same feeling and personality that he himself possesses, but for him to build individual relationships with Sakura, Fai, and Kurogane that belong solely to him, and would thus convince him to create a heart of his own with which to treasure these interactions.

Though Syaoran and Tsubasa come from the same being, they are formed by two different bodies of experience.

Though the subtext evoked by this trade-off is different from previously mentioned exchanges, it is still an incredibly loving gesture on Tsubasa's part, born not of his desire to protect himself from Syaoran when the seal on his heart broke, but to give Syaoran a happy future and unique life of his own.


Syaoran and Fai (and Kurogane):



Though the case of the eye Fai sacrifices for Syaoran is not homoerotic (but rather quite motherly), the influence it has over Kurogane is so laden with passionate emotion that this example still follows the trend set by the example of Seishirou and Subaru. In the horrifying moment when the seal on Syaoran's eye and “heart” collapses and he begins to awake as the puppet of Fei Wang Reed, Fai chooses to help him keep the heart belonging to Tsubasa since it is engraved with precious memories he sees as belonging to Syaoran. As a mage, Fai is probably well aware that this effort is futile, but chooses to make the attempt out of an almost parental love for Syaoran, as well as a persisting indifference to his own survival.

In a scene hidden from the eyes of the reader, the newly awakened Syaoran gouges out Fai's eye to steal the magical power encased within it, power he will need to collect Sakura's memory feathers for Fei Wang Reed. We do not see the two again until Kurogane arrives on the scene, and Syaoran drags out Fai's bleeding body for him to witness.

Though Fai sacrificed his eye in an attempt to save Syaoran, Kurogane, as mentioned earlier, is the one who has the strongest reaction to its loss. Of course, Syaoran is transformed into an emotionless tool at this point, but Kurogane is not sympathetic to this as an excuse for Syaoran's physical cruelty to someone who loved him in spite of his own internal pain. “This guy,” he yells in a rare moment of willingness to defend Fai's self-destructive actions, “changed who he was because of the princess and because of you. You even managed to make him smile for real a little! Don't you hear me, kid?!”

Although Syaoran does not hear in the way Kurogane means him to, the realization summed up in these lines are almost more important for Kurogane himself to understand than Syaoran. By understanding and to a degree respecting what Fai tried to do for Syaoran, Kurogane proves just how close of an eye he's been keeping on Fai through the mage's many veils and behavioral disguises. In comparison to Syaoran and Sakura, he is more aware of the “true” Fai, and how important it is that Fai would let down his iron defenses for the sake of the two he looks upon tenderly. He understands the value of Fai's sacrifice and is infuriated that Syaoran is so far gone that he cannot understand the magnitude of the loss Fai suffered for him.

Naturally, Kurogane's understanding only extends to the unconscious and vulnerable body of Fai. As soon as Fai awakes and insists he should be allowed to die from the shock of his wounds so that his magical power will also die within Syaoran, Kurogane puts a halt to any further physical exchanges from the suicidal Fai. Like with Watanuki, Fai's indifference to physical loss and bodily harm is evident of his desire to erase himself due to his guilt over the death of his brother. Though Kurogane is yet unaware of these motivations, he recognizes that, if given the chance, Fai would willingly gamble away his life for the sake of someone or something else. And just as Doumeki did with Watanuki, he decides to enter into his own physical exchange to keep Fai from taking it entirely upon himself.


Kurogane reacts violently to Fai's self-erasure and fights to keep him alive.


Kurogane's exchange of blood in order to transform Fai into a vampire dependent on him for sustenance is equally of note, since he enters into it with the knowledge that Fai does not consent to his decision and will most likely resent him for it as long as he assigns little value to his life. However, Fai's life holds enough value to him to make the sacrifice worthwhile, though he does spend his time in Infinity engaged in intense psychological warfare with Fai in regards to the latter's tendency to wallow in his misery without ever explaining it to the people who would try to understand him. While CLAMP utilizes exchange of sight and increased vulnerability through the loss of an eye, Kurogane's bodily sacrifices of blood and eventually his arm demonstrate a purging of that which he perceives makes him strong for the sake of “true strength,” or the knowledge that the are things physical strength alone cannot protect, such as Fai's collapsing mental state and the complex natures of Syaoran, Sakura, and Tsubasa.


Fai and Kurogane:




Even with one eye torn from him in a highly violent fashion, Fai is still willing to enter into physical sacrifice at any occasion when the opportunity arises. After his first curse activates and he attacks Princess Sakura, severing her soul and her body, Fai's suicidal desires reach a new high. Though he still claims that he “can't die yet,” since he has vowed to live long enough to resurrect his deceased brother, in order to retrieve Sakura's body he attempts to give his remaining eye, or at least everything it sees, as the price to return to his home world. Though this will not kill him, he will go blind, rendering him useless as a fighter and member of their traveling company, which makes it clear that he doesn't intend to survive with them much longer.

Kurogane, as astute as he is, picks up on this immediately, and after several cold-eyed glares, eventually smacks Fai in the head and tells him, “Up to now, I've pretty much let you and the Princess do as you've liked. So now I'm going to do as I like.” Later, when Fai once again tries to sacrifice himself in Celes, Kurogane is also the one to point out the discrepancies in Ashura's story and to drive Fai once again to fight for the survival of those he cares about, even if he is not ready to fully fight in his own defense.

Fai's attempted uses of physical exchange are shown as grossly disproportionate and offensive to balanced exchange. To rescue Sakura, he alone tries to pay the price through harming his body and devaluing it, even though Tsubasa, Kurogane, and Mokona equally desire to assure Sakura's safety. In Celes, his attempted sacrifice provides him a half-hearted method of trying to kill himself and Ashura at the same time, making it so he will escape the aftermath and consequences of having his history exposed to Tsubasa and Kurogane, as well as avoiding his awareness of the futility of returning life to a dead body. The other members of the party would gladly assist him with his burdens, but Fai tries to take the 'easy' way where only he suffers and risks himself at the price of using everyone's ignorance of his situation to keep himself distant from them.


When Kurogane kills Ashura and cuts off his arm so Fai can make it safely out of Celes, Fai at last realizes the pain he caused Kurogane and the others for playing so lightly with his life. The tears he sheds while watching over Kurogane's bleeding body in Nihon show a true understanding of despair at what the loss of life does to the heart of a loved one. With this epiphany, he is able to forgive Kurogane when he awakens again and interact with him using a more friendly and genuine attitude.

And when the chance for yet another physical exchange arises, Fai for the first time takes a self-preserving stance. To pay for Kurogane's prosthetic arm, he once again offers his eye, but not the entire organ or its sight. Rather, he simply gives the scant remains of the magic contained within, since he no longer needs it survive since he can feed upon Kurogane's blood as a vampire. As he proudly tells Kurogane, “I won't give anything that amounts to giving my life away. Not anymore.”


Considering Fai's earlier offer to lose his sight, the color of his eye is a much smaller price to pay


In a sense, the evolution of Fai and Kurogane's relationship from “measuring and delimiting one another” to a fully realized partnership is told within their physical exchanges. Fai's lost sight and damaged, vulnerable body motivates him to place barriers between himself and Kurogane, but Kurogane's more acceptable sacrifices of his physical strength and reforming his old wish with a new one to keep Fai safe work to provide Fai the realization that the pain he feels in injuring and losing Kurogane is the very pain Kurogane feels in seeing him lost and injured. Through their physical dialogue with one another, they are able to communicate their separate desires and reach a conclusion that luckily leads to happiness for them both.


To make a long story short...

Overall, CLAMP has a fascinating take on how bodily harm, physical exchange, and loss functions in homoerotic relationships as a stand-in for direct emotional communication. The “hardness” of masculine bodies, particularly those of Seishirou, Doumeki, and Kurogane, do not hold room for as many vulnerabilities as the soft feminine body, so it is through what they do and do not sacrifice and where they choose to be vulnerable that their feelings are shown in subtext without making the heartfelt confessions and sensitive interactions of shounen-ai and yaoi necessary. As for Subaru, Watanuki, and Fai, their predisposition to loss and self-erasing shows an unfortunate devaluing of their physical bodies, and it is only through a strengthening physical exchange from their lovers that they are able to appreciate their own continued existence.

And why the eye? Beside being a vulnerable point on the male body, it is an organ associated with seeing, perceiving, interpreting, and understanding. It is the gateway through which the world is witnessed, visual memories are formed, and input is sent into to the body to be considered. The eyes are also the means with which humans are able to view each other and begin to make judgments on who a person is, first on the surface, and then within their soul. When harm comes to the eye, each of these things can become damaged, but they can also undergo a transformation and lead to a new perception or worldview. It is only through their eyes being lost, injured, or exchanged that Seishirou, Subaru, Watanuki, Doumeki, and Fai are able to go through internal transformations in perception, and consequently better appreciate and confront the feelings they hold for their partners.


Saturday, February 23, 2013

Go For the Eyes: Masculine Bodily Harm in CLAMP Part 1


(The following post contains major spoilers for CLAMP works including Tokyo Babylon, X, xxxHolic, and Tsubasa. Proceed with caution!)

(Link to Part Two)

As I mentioned in my recent post on Mushishi, I often have trouble viewing characters undergoing eye trauma, and I'm sure I'm not alone in my feelings of squeamishness. And yet, as I also mentioned, I am drawn in by my favorite mangaka group CLAMP's use of eyes as a form of body horror throughout their writing, but particularly in Tokyo Babylon, X, Tsubasa, and xxxHolic. The vulnerable nature of the eye is what repels us from witnessing any harm coming to it, but in CLAMP manga, the sacrifice of an eye is not simply horrifying, but somehow steeped in moving romantic symbolism as well, particularly to their male-centric, homoerotic subtexts. But how, exactly, is this able to work out? In a subculture where romance is dominated by glittery atmospheres, flowers, and gallant bishounens, what role does sacrifice and bodily harm play in romance in regards to men, and why does it not equally apply to females in the CLAMP-verse?


A sample of CLAMP's eye traumas. From left to right: Seishirou and Subaru from X and Tokyo Babylon, Watanuki from xxxHolic, and Kurogane and Fai from Tsubasa.


Since CLAMP's fascination with the eye as a symbol does not extend to female characters, excepting Sakura's eye-kiss with Syaoran during the events of Tsubasa, it can be assumed that the loss of eye and sight has a greater significance on male bodies. Eyes are a soft and unprotected organs for both genders, but this softness is more pronounced for men who are seen as having “hard” bodies, than it is for females whose bodies as a whole are understood as “soft.” The female body is viewed (whether unfairly or not) as vulnerable on several different fronts, but should a woman wish to harm a man, she is advised to either hit below the belt or go for the eyes, since these are the two areas where he can be weakened and be made less dangerous. 

When CLAMP indulges in female body horror, such as they do is the famous violent scenes of the X manga, the feminine body is invaded, severed, and completely dismantled, leaving her in scattered pieces. The severed head, usually seen as a terrifying image, is left intact with all its earthly beauty remaining, and even though the scene is covered in blood and broken limbs, the head is still that of an innocent, untouched maiden. In short, when a woman's body is harmed, all of her perceived vulnerabilities are attacked, leaving little left unharmed other than the haunting image of her face.


Kotori's death in X  is a particularly gruesome scene of body horror which deeply traumatizes Kamui


With men, it is much less likely that his entire body will be overthrown, and thus it is natural to hone in on his obvious weakness: his sight. In CLAMP, with the exception of Magic Knight Rayearth, RG Veda, and (to a limited extent) Cardcaptor Sakura, men are largely responsible for physical conflict, and depend on their sight to see them safely through each battle. In a more figurative sense, eyes and sight are associated with perception, and how internal and external views shift based on how they are seen, both physically and emotionally. As a rule, the loss or exchange of eyes happens between implied homosexual partners in CLAMP manga (the exception being Syaoran), which also implies that the bodily harm to the eye is a physical replacement for an emotional exchange, which unlike pure shounen-ai and yaoi, CLAMP avoids in favor of tense interactions, verbal sparring, and implication-laced contact such as Fai's blood drinking scenes with Kurogane in Tsubasa and Fuuma's constant touching of Kamui in X and to a certain degree Tsubasa.

For a closer look at how CLAMP manga pairs sight, bodily harm, and the relationship between men, let's examine the eyes of Subaru, Seishirou, Syaoran, Fai, Watanuki, and Doumeki, and the additional roles of Kurogane and Fuuma in these exchanges.


TOKYO BABYLON [For more information on this text, see my original Tokyo Babylon posting



Seishirou and Subaru

The volatile relationship between Seishirou, a cold-blooded assassin masquerading as a kindly vet, and Subaru, a lively onmyoji who deals with supernatural occurrences to benefit others, served as CLAMP's first endeavor into bodily harm to the eyes of male characters. Before Seishirou's true identity is revealed, he steps in between Subaru and a deranged woman trying to kill him, sacrificing one eye in the process with the risk of going permanently blind in the other. While this incident's primary function in the text is to lead to Subaru's awareness that he is in love with Seishirou and opposed to any harm coming to him, it becomes even more fascinating when Seishirou reveals his true identity and announces to Subaru that he sees no reason why he shouldn't be killed like anyone else, and that “If [Subaru] were to die like a dog, [he] would probably step on [Subaru's] corpse and move on.” But if this is the case, why the sacrifice of the eye? Was it simply an action to make Subaru believe in his lies, a way to preserve his prey, or just instinct kicking in?

The first and last explanations are easy to dismiss. For one, this event occurs only shortly before Seishirou's true nature is exposed, so he has little reason to to put any more effort into his facade before tearing it down. Also, as the Sakurazukamori, his only instincts are to kill others and protect himself, leading him to have no natural inclination to step in on the behalf of a weaker person if it will cause him harm. The preservation of his prey is much more likely, but it still does not explain why he would allow his eye to be harmed in the process. In the manga, Seishirou explains his actions, first by saying, "I wasn't planning on protecting you, Subaru-kun. I just happened to get between you and the woman, that's all," and then, "You were prepared to let that woman seriously harm you. I preferred you to be healthy, so I got in her way."  But the question still remains why he chose that particular mode of interference when there were surely other means of keeping Subaru safe, given Seishirou's physical prowess. 

A collection of some of the eye motifs in Tokyo Babylon


The fact that Seishirou's eye was irreparably damaged points to another answer. As the Sakurazukamori, leader of a clan of the highest ranked assassins, Seishirou is responsible for performing flawlessly executed murders for the sake clients and the clan itself. Any physical handicap could become a fatal detriment on the field when all senses need to be properly engaged and no mistakes can be made. The compassion Subaru possesses cannot be shared by the Sakurazukamori, and yet Seishirou does somehow seem to have some small degree of compassion, first when he spares Subaru's life when they were younger, and second when he allows one of his tools of trade, as it were, to be permanently injured.

In both xxxHolic and Tsubasa, CLAMP alludes to “memories of the body,” in which the body acts in response to something the mind has forgotten or rejected. The loss of Seishirou's eye in protecting Subaru most likely falls under this category. Since he denies the possibility of feeling anything for Subaru as it does not fit into his Sakurazukamori persona, his body is what reacts to step in front of Subaru, even if the cost is permanent damage to his eye. The loss can be seen as a moment of genuineness aside from the fictional identity he portrays to Subaru and the Sakurazukamori assassin that does not have any room for love, and this is why it is so fitting Subaru falls in love with him at this moment after shying away from the advances of his fictional identity. In giving his eye, Seishirou exposes a willingness to give of himself that is not seen again until the conclusion of his role in follow up X.


X

Subaru and Fuuma: 



In Tokyo Babylon's apocalyptic sequel X, the role of eyes in the relationship between Subaru and Seishirou is once again emphasized, though in this case, Fuuma acts as their intermediary due to the fact that the two men are on opposing sides in the conflict for the end of the world. The Twin Star incarnation of Fuuma, though a proclaimed Dragon of Earth, plays a fluid role in the conflict that is suited towards the desires of whoever he is facing, whether they be a Dragon of Heaven or Earth. As Kusanagi points out to Yuzuriha, “[Fuuma] resembles yet doesn't resemble everyone. Like he threw away his self to play the role the people in front of him wish.”

 In other words, Fuuma has the ability to appear as whoever a person wants to see, which points to his particular power of granting the dark, unspoken desires a person holds in their hearts. At this time, Subaru is still shattered from Seishirou's betrayal and depressed by his inability to even interest the man he loves as potential prey, and deep within his heart he is still racked with guilt that Seishirou was the one to lose an eye when the one the knife had meant to hit was Subaru himself.

Fuuma recognizes this guilt within Subaru, as well as Subaru's desire to not only accept the harm that had been aimed at him, but to become more like Seishirou in an attempt to become more worthy of his notice. Throughout X, we can see that Subaru and Seishirou have become remarkably similar from their style of battling to the habit of smoking that Subaru adopted after Seishirou betrayed him. Once again, this hints at a physical exchange-- Subaru's personality and mannerisms in favor of Seishirou's-- which replaces an emotional exchange in which Subaru shares his so called “ailing heart” with Seishirou and attempts to vocalize their complex relationship. It should be noted that his dialogues on the subject take place with Kamui, a young man in a similar situation with his own friend and love interest Fuuma, and that their brotherly (or even sisterly) bond transcends the difficulty of emotional exchange in CLAMP's male/male relations.

In any case, Fuuma gouges out Subaru's eye while appearing to Subaru as Seishirou, clearing up some of Subaru's guilt issues and giving him another physical similarity to Seishirou. Though Seishirou as an individual is physically absent from this exchange, he is figuratively involved through Subaru's perception of him taking part in it. Fuuma only serves as a tool to satisfy Subaru's repressed desire, but it is reinforced that only Seishirou can grant Subaru's true wish, which is to be killed by the person he loves.

Fuuma appears as Seishirou in his fight with Subaru


In the case of Subaru and Fuuma acting as Seishirou, the loss of Subaru's eye signifies a desire to be equal with his lover and betrayer, foremost to become someone Seishirou will consider worth killing, but also to suffer the same pain he had once suffered on Subaru's behalf. Subaru's dark wish in a sense puts on Seishirou's act of compassion and reconfirms the moment he fell in love.These actions are cleansing to him and provide him some small measure of peace, though the sight of his injury is horrifying not only to the viewer, but to Kamui as well. Kamui is sympathetic to Subaru's relationship with Seishirou (unlike his counterpart in Tsubasa), but the presence of Subaru in his life serves as a deterrent to entering into the same bitter and violent cycle in his own relationship with Fuuma. Though Kamui and Fuuma have physical exchanges of their own, particularly the striking pseudo-crucifixion scene, they make it through what exists of the manga with their sight intact.


Seishirou and Subaru (and Fuuma): 



Even after Subaru loses his eye courtesy of Fuuma, the issue of eyes and physical exchanges is not quite over in regards to Seishirou. Though Seishirou maintains a mocking, carefree attitude throughout X, he is not thrilled by the prospect of Fuuma leaving a mark on who he considers his exclusive prey. Even though Fuuma reassures Seishirou by saying, “Only you can grant his true desire,” he also gives the assassin the hint that Subaru's wish “is not what you think it is.” Seishirou, at this point, is under the impression that Subaru wishes to kill him to avenge his betrayal and the death of his sister, and given his own lack of understanding of just how deeply Subaru is in love with him, he is unable to understand that what Subaru wishes for is his own end at the hand of the object of his dark obsession. Due to his misinterpretation of Subaru's desire, as well as his belatedly realized love for Subaru (if his last words are what CLAMP fans assume they are), Seishirou allows himself to die and leaves Subaru's final wish to go unsatisfied.

However, this is not quite the end of Seishirou-- at least not in the manga. Fuuma returns to see Subaru with the only remains of Seishirou still left: his unscathed eye. The eye is not a simple gift, or a treasured, if grotesque, memento of a departed loved one. In CLAMP works, magical power is often contained within the eye, such as with Fai and Seishirou's alternate self in Tsubasa, and Seishirou's eye contains his abilities and legacy as the Sakurazukamori. If Subaru accepts ownership of the eye, he will regain his sight and become symbolically “one” with Seishirou at the cost of tainting his purity as a Sumeragi onmyoji with the cold-blooded nature of the Sakurazuka clan. However, this was always foreshadowed as his destiny, as the Sakurazukamori is fated to have their title taken from them by the person they love. Subaru consents to this destiny, placing his love of Seishirou as higher and more sacred than his duties to the Sumeragi clan.

Unfortunately, the manga series was canceled in Japan due to its violence and aforementioned female body horror at a time when violence was at an uncomfortable high in Japan and elsewhere in the world, so we are unable to witness what Subaru does as the Sakurazukamori and how his relationship with Kamui is influenced by his transformation. However, the existing chapters in the manga indicate that Subaru's possession of the eye was part of Seishirou's final wish, which Fuuma acknowledges was Seishirou's desire to keep the mark of another man from Subaru's body. This final exchange is an odd form intercourse between them; in life, Seishirou could never consent to embrace Subaru while still holding onto his identity as Sakurazukamori, but in death, he essentially becomes a part of Subaru, a part that witnesses the world through the eyes of his almost-lover, the man he gave his life for.

The exchanges between Seishirou and Subaru are only able to end in tragedy

Part 2 will delve into xxxHolic and Tsubasa. To check it out, go here!

Friday, February 22, 2013

Song Spotlight: Life


The "FT" in Korea's top pop rocker group F.T. Island's name stands for "Five Treasure," and the five treasures surely refer to Jooghoon, Hongki, Minhwan, Seunghyun, and Jaejin, the five amazing and truly talented boys who comprise the group. Their Korean comeback album from 2012, Five Treasure Box, was a fantastic follow-up to F.T. Island's successful Japanese career, and it was refreshing to hear the group singing once again in their native language. Plenty of tracks blew me away on this disc, but in particular, "Life" struck me as a standout track, especially in regards to Hongki's vocal performance. Though F.T. Island sounds terrific in Japanese, I hope they'll continue to produce more music in the Korean-language in the near future!


Wednesday, February 20, 2013

Come as You Are, Be as You Will


 Why do wasps exist on this planet? Of course, I'm well aware there's a long scientific answer to the question that I don't really want to get into right now. And there's also the shorter, more condensed answers about the “circle of life” or “everything is God's precious creation,” but in all honesty, those answers have never never done anything for me. Wasps sting. Often without provocation. They get into your pop while you're trying to have a picnic and get stuck in your mini-blinds in the summer, and cause pain that in my book isn't worth the sweetness of their honey and pollination assisting. Leave that to the more mild mannered honey bees and bumblebees, who are much better at minding their own business.

Do all things really have a place? Do all plants and animals and even people have the right to simply be as they are without interruption?

These are some the questions at the heart of Mushishi, an episodic supernatural story which follows Ginko, and expert on spiritual beings called Mushi, as he travels the world investigating issues caused by the presence of these spirits. Mushi, as described by the show, are creatures in touch with the basic essence of life, who are simple and pure, and simply try to seek out conditions where they can survive. Most humans can't see them, but that doesn't mean they don't influence the lives of humans. In some cases, spiritually aware people such as Ginko attract them like a magnet and cause them to overpopulate an area. In others, humans can simply go on living their human lives and either provide Mushi with a suitable environment to the detriment of their own health (in the case of possessions or infestations), knowingly or unknowingly abuse them, or wander upon their habitat unawares.

Ginko, our resident wise man in regards to Mushi and their potential place in the world


The trouble with Mushi, though they are not inherently malevolent, is that they more often than not negatively affect humans. They can take over their bodies, eat their memories, grant them problematic powers, or harm loved ones. These are several things they are driven to do by their primal need to survive. For example, one Mushi feeds on sounds, and needs to implant itself in the ears of others in order to consume its food, though this in turn steals the hearing of the person hosting it.

Ginko is well aware of the dangers of Mushi, but at the same time does not seek to destroy them as some of the other Mushi-shi do. When they interfere negatively in the lives of humans, he will often stop them and kill them if he has to, but at the same time, he recognizes them for their lack of malevolence and that their actions are simply 'being as they are.' And if that state of being can be monitored and kept in line so people are not hurt by their actions, then he sees no reason to exterminate them as a whole.

One of the forms of Mushi, though they can have various forms depending on their species


That being said, every episode follows Ginko as he deals with a problematic Mushi, and the ones with more adverse influences on humans (one that implants itself into the wombs of mothers, for example) need to be handled with more decisive action than others. There is no overarching plotline, so the episodes can watched in any order, though I recommend at least watching Episode 1 first since it has the clearest description of Mushi as well as Ginko's role in investigating them. Unlike other supernatural stories of a similar kind (xxxHolic, Natsume Yuujinchou, Tactics, etc), the spirits' bodily influence on human can oftentimes be disturbing, so the faint of heart should stay away if the thought of a bodily invasion seems unappealing.

For example, this Mushi lives in eyeballs. And in spite of my CLAMP fetish, I actually think anything odd involving eyeballs is gross.  Luckily, I know when to avert my own.


There are also very few repeated characters (though the character design for younger boys is generally recycled), and we spend most of our time with Ginko and whoever his latest client is. Ginko himself is fairly quiet and sometimes emotionally distant, but his actions provide clues to his personality, which favors neither humans nor Mushi, but sees the purpose, flaws, and desires of both. He realizes humans often make foolish mistakes and underestimate the power of Mushi when they seek to abuse them (such as one who uses a Mushi to make his daughter into a living God), but at the same time wants them to be able to live in peace and happiness. In one episode, he discovers a village where a Mushi makes it possible to turn dying people into embryos so that they can be reborn, and does not exterminate the Mushi against his better judgment because he wants the people to realize for themselves whether or not rebirth will make their loved ones happy. In a similar vein, he also does not destroy certain Mushi who possess dead bodies in order to travel to the habitat they cannot reach on their own, because the Mushi do not defile the dead bodies as much as the living humans who try to chain the dead to their new life after their possessions.

Ginko is a strongly internal character, but still easy to like, which makes traveling with him throughout the whole series enjoyable. As stated earlier, he is not someone who forces his ideals down other people's throats, but shows his thoughts through his actions and the choices he makes in regards to human and Mushi.

Ginko's in your village, glaring at your bratty children.


As a supernatural fan, I enjoyed the message, simplicity, and artistry of the show, which much more thought-provoking and interesting than some of the more moe or heavily action packed shows that leave little room for intense thought. On the other hand, after watching more quickly-paced shows, it can often be hard to maintain patience through the slower-paced Mushishi, which unfolds gradually, oftentimes with little physical action or dialogue. Its pace and episodic nature makes it a great show to sprinkle in between episodes of other series', but it will require greater patience than shows where one thing happens right after the other.

Mushishi also has a unique soundtrack. The opening theme is English language, the closing theme switches instrumentals with every episode, and rather than traditional score, most of the compositions played during the episodes are inspired by the slow and gradual clanging of bells. This would never work in other series, but in Mushishi, where the world's silence and slowness of life is emphasized, it works to optimum effect, and the OST is actually a great listen.

If you love folklore and supernatural stories, Mushishi is a must. It's beautifully directed and written, and each story will give you something to chew over at its conclusion. While it may not be an edge-of-your-seat show, it is an excellent piece of spiritualism, philosophy, and speculation on the nature of how humans relate to what exists around them. Not all the stories have happy endings, but each does its best to provide hope for the future where people (and Mushi) will be able to get along with their environment without disturbing or harming it through the ways they 'be as they are'.

The natural world has its dangers, but is a rather beautiful place, after all.

I exist in this world. And as much as I dislike them, so too do wasps. I am as I am, and wasps are as they are, and although they sting me, I also bring harm them and their environment through my actions. Is one of us more purposeful or worthy than the other? The fact remains that I am stronger, so when it comes down to a conflict between us, chances are I will win. But that does not mean wasps should not exist for being weaker and I should abuse the fact that I am stronger. As Ginko says, “Don't let yourself be blinded by fear or anger. Everything is only as it is.”

Saturday, February 16, 2013

Theme Spotlight: Again & Hologram


Not only is Fullmetal Alchemist: Brotherhood one of the most popular and beloved anime out there, but it has two of the greatest opening themes (in my opinion) of all time: "Again" by J-pop singer YUI and "Hologram" by J-rock group NICO Touches the Walls. YUI started the show off strong with her distinctive style that makes her one of the most unique and recognizable singers in the biz, leaving a tough act to follow. But NICO followed up beyond expectations with "Hologram," a song accompanied by one of my favorite anime opening sequences of all time. The track also left a huge emotional impact when it reappeared as the closing theme of the final episode when the viewer was shown pictures of the Elric Brothers and friends' beautiful futures following the main conflict of the series. Thank you, FMA, for just being so wonderful all around!


Fullmetal and co. make for one of the most likable casts in anime history